I've held off writing
this for a while, deliberately. Partially because at the time, I
didn't have the time to do so. Mostly because I didn't want to
piggyback on what was someone else's moment – because it was their
moment. More than a moment really, it was their triumph. Whilst those
of us who were around during it had our own little moments, it was pretty
much down to one person that it even happened at all.
If you follow me on
twitter or we're friends on facebook, you probably know I broke a
fairly prolonged period of silence in November to talk about an
exhibition that was open for some of those brief moments at St Peter
Hungate in Norwich – Vanishing Points, the landscapes, archaeology,
artefacts of the Western Front. It was supposed to be solely a
photographic exhibition, but like work, it expanded to fill the time
& space available, and instead became something far more
expansive, personal yet distancing, brutal yet sensitive, visceral
yet haunting, the ghosts still flitting past us out of the corner of
our eyes, just as long as we didn't watch, still moving.
An awful lot of you
visited. It was like the biggest, longest tweet up that
Norwich/Norfolk/even further afield has ever known. I hugged a LOT of
people. Sometimes more than once. I grinned lots, I did a happy dance
more often in public than one should ever do, I even performed a
Charleston around the Visitor Book. I cried too. So many times.
The comment that kept
coming up again and again from people was 'moving'. And it was.
Despite having been recruited to help with 'generally kicking arse',
having known pretty much every detail of every feature, of every
element – sometimes in the most nitpicky fashion – I still, when
first faced with it all, burst into tears. And I don't mean I got a bit
mimsy mouthed, and let one tear trickle down my face, artistically.
No. I properly went. That sort of involuntary response that makes
both hands fly up up in a gesture of prayer to cover your mouth, the
noise that comes out of your throat that can only accurately be
described as a strangled 'mmmpppfff!!', followed by an inevitable and
instinctive 'Sorry!' in a high-pitched quavering register that no one would
ever recognise as your voice. Twice, in two minutes, that happened,
before regaining control of myself, the back of my hand pressed
against my mouth to prevent further outbreaks.
It has previously been
recorded, both here and in other places, that my emotions are never
far from the surface. I laugh easily, can be a mopey lachrymose twat
at the brush of a feather, bridle & swear with no provocation.
But in this case, I wasn't alone. For all of my irrational, fractured
behaviour, I am sometimes capable of being disciplined, and in this
case and place I was, assiduously totting up visitor numbers, and
people who, like me, cried.
1,019 visitors came in
through the door in a little over 60 hours. On average, one person an
hour cried. Not including me, or anyone else making it a new reality
(I say 'new' reality, because it is/was always a reality, but
Vanishing Points gave it a new life). And some of those people who
cried, made me cry too, just seeing their responses, seeing what it
meant to them knowing what that response would mean to the person
responsible for it. Sometimes it was old men I can only describe as
Paul Whitehouse characters. Sometimes a relative of the deceased.
Sometimes when I saw people realise the reality of war is not
numbers, but stories.
But the reactions,
despite me knowing how good the exhibition would be, despite
understanding it, despite doing my best to help – those reactions
took me aback. I realised again the power of stories. How one
storyteller can create a narrative that changes us, for the better. I
know that's not an entirely popular opinion, it hasn't hasn't found
favour with others, and the storyteller could not have done his job
without help, insight, and support from many others, playing their
parts in different ways. But I was there, as much as I could be, not
as much as I wanted to be, and I saw the impact that it had. People
who wandered in, smiling & laughing, before departing, slightly
hollow-eyed, tearful, and so obviously captivated by the words and
landscapes. It lingers in me still. I find it strange that those
hours of mine I so gladly gave are no longer so consumed by the
stories I wanted to be told, whether visually, with long
interpretation boards, or the starkest of words under a monochrome
sky, they're ghosts now too. Not just of the places they died in, but
the place where people came to meet them for the first time. I miss
them.
I miss them, and I miss
talking to people about them, about lives and memories. That will
slip away so easily, if other people don't take up the baton of
carrying on memories and telling those tales. That was what Vanishing
Points did. It told stories, various stories, in various ways, and it
connected. It was beautiful and bone shaking, hilarious and
heartbreaking, terrible, yet terrific.
So thank you, to those
who came (Hi Mum!). Thanks to those who kept me company and kept me
in coffee. Thanks to everyone who played a part. I owe a pint at
least to Julian S and Andrew 'no I'm not Nick' M A stupid &
ridiculous amount of thanks to Matt for all of the negotiating &
facilitating he had to do. Nick... mates, innit. I'd go to the cross
for you. Actually, I did, which was the first public snotting I did.
After all of the build up there he was, our predecessor in looking a
bit arsy, and fighting pointless battles. His spirit lives on, even
if the exhibition doesn't.
Goodbye Francis.
Different stories took hold of different people. Yours will never let
me go, so I suppose it's not goodbye, not really. It's thank you. All
we have left of you are footprints, fragments, fingertips. But what
more can anyone hope for than to have left some kind of trace of
their story?
Goodnight Poogy x