It’s been a long
time that I’m waiting,
It’s been a long
time that I’ve blown.
It’s been a long
time since I’ve wandered
Through the people I
have known
And if you would and
you could
Straighten my new
mind’s eye.
Yes, it’s still my
favourite song, that one, 22 years later. I deliberately ration
listening to it now; concerned that overexposure to it will somehow
diminish the soaring swell of love within me as the dying notes fade.
I don’t honestly think that will happen, but I’m not taking the
risk.
Thing is now, I no
longer have a northern sky. The first day I saw Maisie*, it was a
cold, grey and bleak January morning. Uninspiring from the outside,
then the full on horror that was the technicolour yawn on the walls.
Jesus. I still shudder, just thinking of it.
And yet… I knew it had
potential. Underneath the grim flooring and multicoloured walls,
doors, and skirting boards (or more accurately, over the top of them
with a fuckloads of magnolia paint and beige carpet). And mostly it
was because of the view. From my bedroom, and The Girl’s. From the
living room and balcony. South facing. 3rd & 4th
floor, on top a small hill, looking out across the Rose Valley.
It gets the sun all day, stunning sunrises and sunsets, cloud formations, the ability to see where the
weather’s coming from and what it’s bringing. Because of our
location high up in the sky, I see sun and rain most days. Rainbows
too, at least five since we moved in a month ago. No light pollution
either, so clear nights show me every constellation. A thunderstorm a
few weeks ago happened in full Dolby surround sound widescreen HD.
And if ever I have
doubts or worries about whether we were right to move here, about the
direction I’ve taken our lives in, I look out at that view again.
All of the houses, every rooftop, every home, hundreds of them, if
not thousands. Every front door closed behind people who are living
lives I know nothing of, whose paths I will never cross. I don’t
know anything about what they have had to deal with, what has hurt
and damaged them, nor what quiet words bring them comfort and joy,
what raises a quick smile to their face when they check their phone.
And they know nothing about us either, how when The Blondies saw
Maisie as she is now, with furniture moved in and most traces of
paint gone [side eyes the still pink crackle glazed kitchen ceiling],
they knocked me to the floor with a rugby tackle, and we all cried
(me mostly because they really fucking hurt my broken foot, which
spoilt the moment a little). They don’t know that
when I finished painting**I sat on the stairs and cried for an hour,
wondering what the hell I was doing and who or what I was doing it for. They
don’t know how one text message can change a life.
Those people, whose
lives I get a tiny little glimpse of, don’t know me and I don’t
know them, but I see the lights go on in their houses every night,
and I feel at home, here. I look out at that great expanse of lives,
spreading out as far as my eyes can see, and I love it. I love it,
all of it; I will never tire of this view. I love this feeling of all
of these lives happening around me, all of these people, all of these
stories that may never get shared, but still they happen. I love this
place. I love the light that streams in. I love this. This brightens
my southern sky.
*Yes, I call this place
Maisie. No, you fuck off. It’s not a house, it’s not a flat, it’s
a maisonette on t he 3rd & 4th floor, it
has a number, but I needed to give it a label, to help The Blondies
feel more of an attachment to it, so ‘Maisie’. No, seriously,
fuck off.
**yeah, not finished,
to be honest. It might get done one day. Fukkit.